It was Pam's last full day in Boston yesterday, so we decided to make it as adorable as possible.
...I think we did alright.

The way a painting starts and continues usually varies - it's usually a mish-mash of what I'm feeling or obsessed with that week, (kind of like a diary - gotta let these emotions out of my brain) but that being said, sometimes I will leave a painting for months and change it dramatically when the right thing pops into mind. I do all the outlines in lead pencil first, which allows for spontaneous change.
Well, I moved house exactly one week ago, so I'm currently living and working in Sydney in a sharehouse. I'm minding a friend's room for six months, so am using her furniture. I've got a dark brown desk under the window and out of it I can see lots of rooftops. I wish I had a spacious white studio filled with fresh flowers, but that might take another five years. My favourite time of day to work is after lunchtime, all afternoon till it get's dark - and perhaps far into the night if I pick up momentum and there are no friends knocking at the door.
I'd love to try oil paints - I imagine they would add a completely different dimension to the work. I'm a bit intimidated by them at the moment though! I just started working in an art supply store and it's all too tempting - now I want to spent all my pay on marbling kits and fabric mediums and huge sketchbooks and fancy papercutting scissors.At the moment my favourite tools are masking fluid, smooth cotton paper, watercolour paints, waterproof black paint and teeny tiny paintbrushes.
All unlikely- but here we go...I wish I could be an in-house illustrator for Lula mag - and also chat about clothes and fancy things with Leith Clark. I wish Vivienne Westwood was my patron/teacher/wise owl.I wish the Rodarte sisters would have me over for tea.I wish David Lynch and I were neighbours so we could have pie baking competitions every weekend.oh and add Wes Anderson, Sofia Coppola, James Mercer to that list.More to do with fun than work... but good work comes from loving the people you work with, right?
Speaking personally, I found it took a long, long time to be entirely pleased and entirely comfortable with my own work. It's not something you can rush - it just takes a lot of practice, experimentation and commitment. I guess, the more honest you can be, the better. That goes for everything in life.
I'd squeal if Bettie Page commissioned a life size boudoir portrait to hang above her bed.